At the Botanical Garden in Buenos Aires, January 1966

When Jorge Mario Bergoglio, the man who would one day be “Pope Francis,” got in touch with Baltasar Fuentes Ramos during the summer break between school terms, he informed his former student that he was cordially invited to a second meeting with Borges, the famous writer.  Bergoglio also filled Fuentes in on some events of the previous month.  When Borges had been in Santa Fe for the student writing contest, he and Bergoglio had struck up something of a friendship.  Borges had been considering writing a story about Catholicism for several years, and upon meeting the well-read, intelligent, and free-thinking seminarian, he felt as if he had finally found his consultant.  They had bonded, in particular, over a shared morbid interest in the apostle Judas Iscariot.  Borges had written a provocative story in 1944 called Three Versions of Judas, and Bergoglio had been reading the gnostic scriptures contained in the Nag Hammadi codices: that library of gnostic texts which had been unearthed in Egypt in 1945, and which were still somewhat rare at the time, and difficult to acquire in a good Spanish translation.  Bergoglio was especially interested in the idea that there was a gnostic text known as the “Gospel of Judas,” which had been mentioned by a few Christian writers as one of the most heretical texts of all.  Did it actually exist, or was it just a legend?  Judas, decided the seminarian and the writer, should be the basis for their collaboration.

In order to facilitate his work with Borges, Bergoglio had asked the Jesuits to transfer him back to his home city of Buenos Aires.  They had complied with his request, and he was now going to teach at the Colegio del Salvador there.  He told Fuentes the Jesuits in Buenos Aires were amazingly progressive and ecumenical—“but it’s an atmosphere you would likely despise,” he wrote.  “I was disappointed when you condemned me so harshly for being a modernist.  You should understand that the Church has changed for the better now with the Second Vatican Council.  The future is not to be feared, Baltasar.  Ours is a living faith, not one stuck in the past.  We have to open ourselves to new ideas.  Even St. Thomas Aquinas took many of his principles from the philosopher Aristotle, who was not only a pagan, but someone whom few Europeans at the time had ever heard of.  St. Thomas was not afraid of the strange or the unknown: he knew that Christianity can absorb almost anything.  My own particular interest is in the gnostics of the Early Church.  But I know you will not approve.  Perhaps our friendship has been severed for good over these differences.  Nevertheless, our mutual acquaintance Borges would like to see you.”

The meeting was set to take place in the Botanical Garden, not too far from where Fuentes was staying at his uncle’s rectory.  It was also a favorite haunt of Borges’, who liked the fact that a small colony of stray cats had been allowed to make the gardens their home.  Borges was an inveterate lover of cats, tigers especially, and enjoyed cats for being the miniature cousins of the majestic beasts.  He agreed with Théophile Gautier that “God created the cat so that man might caress the tiger.”  Borges told Fuentes this much when they met at the gardens.  He loved not only the hazy atmosphere of the lush greenery and the fecund smells, but also the feline ambience of the free-roaming cats.

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Borges maintained a lifelong fondness for cats, tigers in particular.  “The tiger addressed in my poem / Is a shadowy beast, a tiger of symbols / And scraps picked up at random out of books, / A string of labored tropes that have no life, / And not the fated tiger, the deadly jewel / That under sun or stars or changing moon / Goes on in Bengal or Sumatra fulfilling / Its rounds of love and indolence and death.”


On the afternoon of the meeting, Fuentes excused himself from his duties at his uncle’s parish and showed up at the designated meeting spot on Santa Fe Avenue.  He remembers Borges looking dapper in a beige seersucker suit and a dark paisley tie.  Borges’ secretary Jana Filippovna was with him, as was Bergoglio, and there was also a peculiar man named Desmando Ruiz, who Fuentes remembers as a grubby, sinister-looking fellow in a raggedy janitorial jumpsuit, eating salted and habanero-spiced nuts from a paper bag with the words “El Fuego del Diablo” emblazoned on it, with the logo of a grinning little cartoon devil astride a blazing habanero pepper.

Ruiz was introduced to Fuentes as a handyman and plumber whom Bergoglio had worked with in one of his jobs as a teenager before deciding to study for the priesthood.  Fuentes remembers Ruiz as looking every bit like a plumber: “it was easy to imagine him somewhere deep in the dank subterranean bowels of a building, with wrenches and pliers hanging from his belt, tinkering with leaky pipes.  He was lanky, with long sinewy limbs, and he had a pasty, hideous, pock-marked face with the flat, puffy, broken-looking nose of a boxer.  His fingers were calloused and dirty.  But he had a definite intelligence about him.  I can imagine him in a custodian’s closet, lying on a cot and reading philosophy, lazily leeching paid time from his employer.  He was very much enamored with Hegel.  Ruiz believed that everything in the world was progressing toward an ultimate end, that history was a long Hegelian process of ‘becoming,’ at the completion of which would be a true and perfect enlightenment—where all distinctions would be obliterated and all opposites would be resolved.   Ruiz imagined that this would be a Marxist paradise on earth.”

During the time they worked together, Desmando Ruiz had pointed the young Bergoglio in the direction of the Jesuit philosopher Pierre Teilhard de Chardin.  Ruiz himself had long since ceased to be a practicing Catholic, but he liked that Teilhard was applying Hegelian principles to Catholic thought.  Teilhard had been enraptured with the works of Darwin, and he had attempted to meld Darwin’s evolutionary system with Catholicism.  He held a heretical opinion that mankind was poised near the final stages of a process of God-guided evolution, and that the next phase in human development was that everyone’s consciousness would soon be subsumed into a single mass consciousness—a collective awareness of the elusive istigkeit spoken of in Eckhart’s philosophy.  All human thought would exist in an omnipresent Oneness.  Teilhard called this the Omega Point, and he claimed that the Omega Point itself would be the Second Coming of Christ, the parousia, since every soul would be drawn into and united with the Mind of God.

According to Fuentes, Teilhard de Chardin was Bergoglio’s favorite Catholic writer, and was the inspiration for Bergoglio becoming a Jesuit.  “There are three important aspects of Francis’ vision for the Church,” says Fuentes.  “Two are public, one is private.  The foremost aspect is his liberalism.  The things he stresses the most are the liberation theology and social justice advocacy that emerged from the Latin American atmosphere of the 1960s.  That’s his most public side.  The second aspect of Francis’ ideology is the philosophy of Teilhard.  He believes that the Catholic Church must function as the spiritual side of a one-world government, whereby the whole of humanity can be drawn into the grand project of arriving at the Omega Point.  You can see obvious hints of this in some of his writings and speeches.”

But the third aspect, Fuentes said, “is the most secret aspect, the one which he keeps hidden.  And that aspect is his Gnosticism: a horrible set of gnostic beliefs concerning Judas.  You are a traditional Catholic,” said Fuentes (meaning me, to whom he was writing), “so you would probably say that Vatican II and the decades that followed marked a betrayal of the Church’s traditions and teachings.  But let me tell you something: Francis would agree with you.  He believes this betrayal is very necessary.  He even sees himself as a ‘second Judas,’ betraying Christ at the end of history in preparation for the Second Coming at the Omega Point.  Even if you were to accuse Francis, directly to his face, of being an Antichrist, he would not, deep in his heart, deny it.  Because he believes that the traditional ‘old Christ’ must be negated and overcome, in order to usher in the ecumenical age of a ‘New Christ’ who embraces all people and all cultures in a supremely syncretistic pan-religious version of Catholicism.  This is Francis’ belief.  I learned it that day in the Botanical Garden, as the five of us took our promenade among those tree-draped paths and humid greenhouses, listening to Bergoglio speak of these things with Borges, who was delighted with the weirdness of it all.”

Fuentes continued: “I think Borges saw Francis as a theological madman—and yet this kind of lunacy, of course, was just the sort of thing Borges found fascinating.  But know this: the subtext of every word that Francis utters or writes contains his deeply-held gnostic theology of Judas,” Fuentes told me.  “You can read it between every line.”  Fuentes would eventually become aware of even further details of this demonic Christology, which involves a “sinful Christ” and a “transfigured Judas.”  He pointed me toward an instance where Francis actually dared to weave a small bit of this material into one of his sermons, where he concluded by openly denying the faith of Chalcedon, saying that Christ on the cross “became sin” and was “completely emptied of his divinity.”

(For non-Catholic readers of this blog, it will suffice to know that the Council of Chalcedon solemnly taught that Christ was “like us in all respects but for sin”, meaning He was always sinless—thus at no point did He ever, as Francis suggests, “become sin.”  Chalcedon also taught that Christ was “fully human and fully divine”; not, as Francis preached, that He ever became “emptied of his divinity.”  Francis’ teaching is a gnostic misinterpretation of a passage of scripture, Philippians 2:7. In fact, Pope Pius XII specifically condemned this interpretation in his encyclical Sempiternus Rex Christus: “this is an opinion for which a rashly and falsely understood sentence of St. Paul’s Epistle to the Philippians supplies a basis and a shape. This is called the kenotic doctrine, and according to it, the enemies of the faith imagine that the divinity was taken away from the Word in Christ. It is a wicked invention, equally to be condemned with the Docetism opposed to it. It reduces the whole mystery of the Incarnation and Redemption to empty the bloodless imaginations”).

Eventually their conversation shifted to the Second Vatican Council, which had concluded just the previous month.  Jana Filippovna remarked at how surprised she was at the document which effectively reversed the Catholic Church’s attitude toward Judaism and the Jewish people.  Desmando Ruiz offered how pleased he was to see the undertones of Hegelian and Marxist thought diffused through so many of the decrees.  Borges told a story of having been in Madrid the previous year to give a talk on Edgar Allan Poe; during conversation at a dinner party hosted by a Spanish academic, he caught the whiff of a merry rumor that the current pope had gone to seminary with a classmate who was nearly his own twin, so similar were they in appearance.  (Borges liked the notion of doppelgängers and doubles.  He’d written a story in 1960 called Borges & I about how his own public persona felt like a separate entity, and later, in 1969, he would author a story called The Other, about meeting his younger self on a peculiar park bench: a bench which served as a fulcrum in time—or an intersection between dreaming and reality—joining the elder Borges in Cambridge, Massachusetts with the younger Borges in Geneva, Switzerland).

The mention of doubles and twins swung the conversation back to Gnosticism, where the apostle Thomas is considered the twin of Jesus, and where in the Syriac “Gospel of Thomas,” Thomas and Judas are one and the same person: Judas himself is Jesus’ twin.  At this point, the young Baltasar Fuentes Ramos began to wonder why they had invited a fifteen-year-old student, and a faithful Catholic one, no less, to this heterodox consortium.  He had remained mostly quiet the whole time, still being in awe of Borges.  But it was just then that Borges turned his attention to him.  “There is much to speculate on in these matters,” he sighed, “but only one way to verify.”  The great man turned his half-blind eyes to Fuentes.  “We would have to interrogate someone who was actually present during the ministry of Christ.  And you,” he said, “claim just such a person exists.  Perhaps you will take us to meet him.”

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The Botanical Garden of Buenos Aires. The stray cat population, which according to Baltasar Fuentes Ramos was just a “small colony” in 1966, is now a significant problem, exacerbated by uncaring people who choose to cruelly abandon their cats there.

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Mirroring their souls in the Aleph: Borges y Francisco

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Jorge Luis Borges (1899 – 1986).  “Ibant obscuri sola sub nocte per umbram.”


The fifth antipope of the modern era was elected on the thirteenth of March in 2013, a fortnight after the resignation of antipope Benedict XVI.  As everyone surely knows by now, the College of Cardinals chose the Archbishop of Buenos Aires, Jorge Mario Bergoglio.  Upon his elevation, Bergoglio took the regnal name Francis, which he chose in honor of his favorite saint, Francis of Assisi, the thirteenth-century friar beloved for his emphasis on humility and his concern for the poor.  If Francis were actually the pope, he would be the first pope to take the name Francis, the first pope to be a Jesuit, and the first pope from the New World.  But he is not the pope.

There are, however, some lesser-known but intriguing facts to be known about Francis.  Shortly after I commenced my research into the survival of Pope Paul VI, I became embroiled in a correspondence with an interesting and rather eccentric Argentine expatriate by the name of Baltasar Fuentes Ramos, who was living as a wanderer and mendicant in southern Portugal.  He was traveling, he said, with a group of Romani drifters, dwelling in a rusted old trailer and living on rice and beans.  He used various internet cafés for his computing.  Fuentes told me he was happiest when he was living life close to the bone, in total simplicity.  He said he loved the hermits and misfits and mystics of Catholic history, and his favorite saint, he told me, was St. Simeon the Stylite.  (At the time, I did not question this, but in retrospect, I wonder if his nomadic and under-the-radar lifestyle was a deliberate choice for a different reason: in order to safeguard himself and the incendiary knowledge he possessed).  Originally, Fuentes and I were discussing some information he had concerning the whereabouts of Pope Paul VI in Portugal, but almost immediately we diverged onto the subject of Francis.  Fuentes claimed to have been a student of Francis’ in the mid-1960s, when the young Jorge Bergoglio was a Jesuit seminarian teaching a course in creative writing to teenagers at a parochial boys’ school, the Colegio de la Immaculada Concepción, in Santa Fe, Argentina.  Fuentes informed me that Francis is extensively aware of (and somewhat involved in) the history of Pope Paul VI.

Fuentes began by telling me that Bergoglio had been quite a likeable profesor.  Fuentes even became friendly with him.  From a very young age, Fuentes had been an avid lover of literature, and at the colegio he was the most well-read pupil in his grade.  Bergoglio appreciated the boy’s enthusiasm, and sought to nurture his budding talent by engaging him in long discussions during lunch.  They quickly discovered they had a favorite writer in common: the famous Argentine master of short fiction, Jorge Luis Borges.  In the second semester of the class, Francis decided to add three stories by Borges to the course syllabus (these stories were Averroës’ Search, The Writing of the God, and Three Versions of Judas).  As the end of the semester approached, Bergoglio assigned his students to write a “Borgesian” short story of their own.  “You will have noticed,” he told them, “that Borges infuses his fiction with an insatiable curiosity for religion and philosophy.  Try to do this yourselves.  Push at the boundaries of your thought.  Do not be afraid, even,” he said, “to transgress certain mild taboos.”  (During his papacy, of course, Francis himself would be somewhat notorious for violating taboos, at times even appearing to call into question long-held traditional positions of the Catholic Church.  He is, without question, the most outspokenly modernist of all the contemporary antipopes).

After class, Bergoglio told Fuentes that he would soon be in for the surprise of his life.  And truly he was: back in his seminary room at night, Bergoglio had been working on an important composition of his own.  He labored for several evenings over it, scribbling multiple drafts at his desk beneath a large crucifix hung on the wall, giving painstaking care to the wording and style.  He wanted it short, sweet, and impressive, for it was a missive to Borges himself.  Bergoglio whittled his taut little masterpiece down to two terse paragraphs.  The first paragraph functioned as a fan letter (reserved in tone, never fawning), while the second consisted of a polite request for Borges to read his students’ stories, and to select the five best from among them to be anthologized in an issue of the school’s literary magazine.

A week later, Bergoglio had his reply: Borges would do it.  The great author wrote back and confessed to feeling a certain restlessness; the idea appealed to him as a change of pace.  He was also looking for a brief respite from Buenos Aires, and he agreed to not only serve as the judge of the stories, but to personally come to Santa Fe and speak with the students as well.  Bergoglio was overjoyed—his perseverance in writing the letter had paid off abundantly.  If anyone from the distant future had been able to see him in his room, as he knifed open the envelope and read the response from Borges, they probably would’ve recognized the impish smile of “Pope Francis” that dawned on him as he gleaned the good news.

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Portrait of the antipope as a young man: Jorge Mario Bergoglio in his twenties.


I was able to find an article on the internet (with a photo, as well, of Francis and Borges) which verified much of Fuentes’ story: World-famous Argentinian writer Borges impressed by Pope Bergoglio’s charisma 50 years ago.   This particular account was given by a classmate of Fuentes’, Rogelio Pfirter, but Fuentes claims Pfirter got some details wrong.  Fuentes remembered the young Pfirter as a hotshot braggart, and was therefore unsurprised at his outrageous boast of having written not only one, but two, of the winning stories.  “How could he have written two?  The rule was one entry per pupil.  Nobody was allowed to submit two stories.  And Pfirter’s story didn’t even win.  The winning entry was mine, and it was called The Wandering Jew.  There were four runners-up, and Pfirter wasn’t one of them.  Secondly, Borges did not take the bus to Santa Fe.  He was a famous writer, not a pleb.  He took the train.  I know this for a fact.  I was with Bergoglio when he met Borges at the station.”

When Borges disembarked from the train at Santa Fe, he was sixty-six years old, and partially blind due to a deteriorative eye condition which had plagued him since youth.  He walked with a cane and was helped onto the platform by his secretary, a graceful, middle-aged, auburn-haired Russian Jewish woman named Jana Filippovna.  Filippovna was a scholar of the Hebrew language and something of a moderate authority on the system of Jewish mysticism known as Kabbalah.  Borges, for his part, was a lifelong philo-Semite.  (In the 1930s, Argentine nationalists had accused Borges of being a crypto-Jew.  He’d composed a tract in his own defense entitled “I, a Jew.”  Borges denied the charge, being a complete agnostic in matters of religion, but carefully suggested that any Argentinian of Spanish descent, as he was, likely carried traces of the blood of the Sephardic Jews of Spain from before the Alhambra decree).  Jana Filippovna had come into Borges’ employ as a consultant on a planned short story about Kabbalah, tentatively titled The Treasury of Solomon David, about a young Jewish accountant who is a prodigy with numbers, who stumbles upon an obscure connection between the Hebrew alphabet and Wittgenstein’s philosophy of mathematics, and unknowingly manages to solve an ancient puzzle of Kabbalistic numerology.  The story was never published, but Filippovna and Borges had become good friends during their collaboration on it, and afterwards she remained in Argentina as his assistant for a period of roughly a decade, from the mid-1960s to the mid-1970s, which is when they had a falling out.  (The woman who replaced her as Borges’ secretary, Maria Kodama, eventually became his wife).

At the train station, Borges and Filippovna were surprised to find Bergoglio accompanied by a student.  Fuentes was introduced: “this young man is my star pupil,” Bergoglio told them.  “He has a future as a great writer, I assure you.”  Fuentes blushed.  “Shouldn’t the teacher remain impartial on the eve of a writing contest?” asked Jana Filippovna.  “Ah, but I am not judging the stories,” Bergoglio shrugged, and turned to address Borges.  “You are.”

The four of them dined at a restaurant that evening.  Fuentes remembers being impressed at Bergoglio’s ability to keep apace with the intellectual verve of Borges’ conversation.  “Francis sometimes has a tendency to come across as a bumbling stooge,” Fuentes remarked, “with his silly grin and his rambling way of speaking.  But don’t be fooled.  He is a fiercely intelligent man.  His public image is very different from who he is privately.  In front of a crowd or at the head of a classroom, he tends to get anxious and inarticulate.  But if you sit down with him, individually or in a small group, and let him relax and have a maté, he is incredibly astute.  In fact, I suspect that at some point in his life he decided to purposefully exaggerate his goofy persona.  I think he realized he could get away with much more if he appeared outwardly clueless.  I believe he’s sustaining a terrific act: the act of the ‘holy fool.’”

At the end of their dinner, Bergoglio produced from his satchel an accordion folder housing his students’ attempts at Borgesian fiction.  Inside of the folder lay Fuentes’ story, The Wandering Jew, a sprawling tale which was longer than the rest of the entries combined.  Said Fuentes: “there was me—a frail, awkward, dark-haired boy with glasses; an insignificant nobody, sitting at that restaurant table with the one and only Borges.  I was tongue-tied.  I knew my story was good, though.  I was confident about it.  But I had no idea whatsoever how profoundly my life was about to change after that.”  Jana stubbed out a cigarette, and Bergoglio handed her the folder.  She and Borges would read the stories that night, and announce the winners at class the following afternoon.

The next day at school, Borges singled out The Wandering Jew for highest honors.  He sat facing the class, holding his cane, his eyes (sadly vacant) staring off at nothing.  Jana sat next to him.  Bergoglio stood by the classroom windows, twirling a ruler.  Announced Borges: “this one, especially, is a fine tale, containing many instances of lurid religiosity.  At some points it almost seems to flirt with outright sacrilege, and yet it somehow manages to remain extremely pious throughout.  It’s a delicate and well-executed balancing act.  My compliments to the author for dreaming this up.”

In response, Fuentes did something completely unexpected.  He told me: “I don’t know what came over me, but for some reason even Borges’ praise seemed insufficient.  It wasn’t enough for him to merely like my story.  I wanted him to like me.  I wanted to become his friend and his protégé, like I was with Bergoglio.  So I told a lie that even Rogelio Pfirter wouldn’t have told.”  The young author of the story stood up at his desk, with a look of determination in his eyes.  “Begging your pardon, Herr Borges,” he said, employing the Deutsch honorific to address the famous Germanophile, “but it is not a work of fiction.  It is the actual and living truth.”

Borges said nothing in reply.  Jana looked out the window, disinterested.  It was left to Bergoglio to defuse the situation, so he laughed.  It wasn’t too hearty a laugh, or mocking in tone; it was probably intended to provide enough levity to break the tension and encourage the young Fuentes to sit back down.  But instead the boy fixed his gaze of defiance on his teacher, and suddenly turned on his mentor.  “Of course you would find it funny,” he sneered.  “You’re a modernist.  You are an adherent to the robber council called Vatican II.  It’s natural that someone like you would scoff at the truth.  But remember this: the heart of fools is in the house of mirth.”

Bergoglio frowned.  He knew Fuentes had a favorite uncle who was a monsignor in Buenos Aires—a staunch theological conservative who was an open dissenter to the teachings emerging from the current council, and whose bishop had threatened to defrock him for his relentless criticism of the hierarchy.  For this reason, Bergoglio and his favorite student had always politely avoided discussions of church politics.  Now he became suddenly bashful at Fuentes attacking him for his liberalism.

But Borges seemed to be enjoying himself.  “Perhaps you are trying to be provocative, young man,” he surmised aloud.  Borges himself had been the instigator of several literary hoaxes.  “It is healthy,” he said, “sometimes, to suggest a wild misinterpretation of a story simply for the fun of it.  Of course, by all means be playful with your work, but be careful to be so overly bold as to claim the entire thing as true.  That’s a diversion without any amusement.  It’s as perverse as the most humorless and intractable religious fanatics.  No one ever enjoyed the company of a Puritan or a Jansenist.”

Quod scripsi, scripsi,” said Fuentes.  He sat back down at his desk and crossed his arms.  Borges smiled.  Bergoglio tapped his ruler idly on the windowsill, then sauntered up to the front of the classroom and changed the topic entirely.  “I figured that was the end of it,” Fuentes told me.  “I had hoped that Borges would’ve been intrigued by my claiming the story as true, but instead he’d just shrugged it off.  As it turned out, I was wrong.  Borges was intrigued indeed.  Two months later, during summer vacation, I was surprised to get a phone call from my parents saying my writing teacher was trying to get in touch with me.  This amazed me, as our friendship had deteriorated into nothing after that day I called him a modernist.  I was staying with my uncle in Buenos Aires, which was my usual custom during the school break.  Mama said it was all the better that I happened to be in Buenos Aires, because Bergoglio was there, too.  She told me he was interested to know if I wanted to meet with Borges again—because Borges, apparently, wanted to meet with me.  She told me to expect Bergoglio’s call.  It’s like I told you: writing that story changed my entire life.  I was thrust into the orbit of people whose designs on the world I could not even begin to comprehend.”

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